dimanche 24 mars 2013

Loviatar - Widow's Flame (EP)


LOVIATAR - Widow's Flame EP
2012
Indie

Nested in the small post-hardcore/sludge/doom community of Ottawa, conveniently located mid-way through the Toronto-Montreal corridor where most touring bands travel, Loviatar is making a name for itself as an opening act.

Widow's Flame is the second EP from Loviatar. This time again the production is really good, being recorded at Pebbles Studio by Mike Bond, who also happens to play bass with the band. Interesting enough, Widow's Flame is the second in a series of short EPs released by Loviatar - the third one being expected somewhere in Spring 2013. Like Eternal Sons, the first one, it has a very simple design, with a focus on the clean minimalistic logo, and is housed in a cardboard packaging. This time again, the EP title is a play of words based on the two original songs found on the album, i.e. "Flametongue" and "Widow's Walk". Since these EPs are so short (this one is 11 minutes long), continuity between them contributes to defining the identity of Loviatar.

We find ourselves again in a world of fantasy, where post-metal meets doom, where the songs and texts are epic. The guitars, at the core of the music, have this great rock energy, but also give a lot of space to the other instruments. The bass and drum have this great complicity, and supports the songs with great mastery while staying in the back. The vocals, high and clean, are a gifted trademark of Loviatar, something many heavy and doom bands will envy.

On the other side, there is something I personally find clumsy with the pace of this EP. While the two original songs are excellent, they are accompanied by a cover of Leonard Cohen's "The Partisan". This is a good and interesting rendering, but from an outside perspective I'm questioning its place on the EP: given it has a total of only 11 minutes, and given that the first track is fast and the second is slow, it feels unnecessary to have a third song that brings a completely different direction. All in all, this may not be a big deal since all songs are good and will probably blend in, in the long run, with Loviatar's future discography.

With Widow's Flame, Loviatar is staying very close to what it offered us on Eternal Sons. They added a second guitar player, but so far it has more impact on the live aspect than anything else. Two new songs is not a lot when they are of average lenght, and this EP can't be considered as a landmark or a statement, but it is useful to generate an interest from the local scene.

I'll definitely keep an eye open to see what brings the third EP.

www.loviatardoom.com
http://loviatar.bandcamp.com/



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